The art was creative, bio-descriptive and rich in details of a lonesome ontology

Alone the drawings were hard to digest. I once went into the shop, managed to talk to the artist. Her name is CoDa. Well, she dressed neutral but inclined to be female, so I took it a she.

I gave some opinions. One was to place a drawing of hers together with a photo of a well-known landmark, trying to digest the oddness of the x-world-deform art. After a few weeks there was such composition in the size I suggested. It looked very impressive. Not too long someone bought it. CoDa said the money helped her drag the shop through another half year. She thanked me for that. We became friends.

From then on I paid visit to the shop once in a while. NZ is proud of her arts. Some tradition from Britain. But this shop was a sharp contrary to the fine old oil paintings art galleries. The art was creative, bio-descriptive and rich in details of a lonesome ontology. In the drawing there seldom is background. It seemed the entity lives in a white, invisible world, with only its being reflected. Living seems to be an adequate ornament.

Later, she talked about selling tees with her art on. That would be something like the ape or monkey. I agreed with her sales strategy. When she had prepared some tees, she wanted to find a model to dress them on. But no one would do that except herself.